04.22.2026

The Gap Years: Climbing, Skiing, and the Journey Back by Tom French

At the end of 2019, Tom French retired from a four-decade career in business, determined to return to interests that had defined his youth and see what meaning they still held. One of these interests was mountaineering. Another was adventure travel, with a particular focus on Nepal. A third was cross-country ski racing. Having taken “gap years” between school and university, and again before he started work, he decided to take a gap year before settling into the expectations of retirement. One year turned into three as he rebuilt his athletic strength, competed in cross-country ski marathons, and climbed some of the world’s highest mountains, including two expeditions to Mount Everest. On the first Everest climb, a cyclone forced him to turn around high on the mountain and descend the treacherous Lhotse Face in a blizzard. On the second, he approached the mountain through the remote Makalu Barun region, the first climber ever to do so, and climbed to the summit on a moonlit night. But this is a book about much more than Everest. It is about beauty and joy found in wild places, about cross-country ski racing and mountaineering more broadly, and—most of all—about a journey to find meaning in life and reconnect with the passions of youth. Tom described the narrative arc of his book through a presentation featuring stunning images from mountaineering and ski expeditions worldwide, including the Himalayas, Andes, and North America

About the Speaker

Tom French is a lifelong mountaineer, cross-country skier, and lover of the outdoors. A senior partner emeritus of McKinsey & Company, he is currently board chair of the Trustees of Reservations, a director of Corning Incorporated, and serves on several other nonprofit boards. He lives in Massachusetts, with his wife, Jill.

04.21.2026

Adventures in the Louvre by Elaine Sciolino

Adventures In The Louvre has captivated readers with its intimate, revelatory journey into the world’s most famous museum. For this special event, Elaine Sciolino presented the newly updated edition of her book, released in the wake of the dramatic Louvre heist that shocked France and made headlines around the world. With fresh perspectives from her recent reporting for The New York Times and other publications, she offered fresh insight into what the theft reveals about the museum’s history, vulnerabilities, and enduring power. With the curiosity of a journalist, the eye of a storyteller, and the warmth of a seasoned Parisian flâneuse, Sciolino introduced attendees to the artworks she loves most both celebrated and overlooked—and to the people who keep the Louvre alive: curators, restorers, guards, firefighters, artisans, and archivists. opens doors normally closed to the public, guiding readers through the museum’s galleries, rooftops, archives, ateliers, and hidden corners. Part investigative reporting, part travelogue, part cultural history, this presentation illuminated the Louvre as a living, breathing organism magnificent, labyrinthine, and endlessly human. This expanded edition of the book includes a new chapter with updates about the museum, including an ambitious billion-dollar proposal to renovate the Louvre with a new underground entrance and special galleries for the Mona Lisa as well as the brazen 2025 theft of crown jewels from the Apollo Gallery.

About the Speaker

Elaine Sciolino is a contributing writer and former Paris bureau chief for The New York Times. She is a best-selling author of six books, including, most recently, Adventures in the Louvre, named an Economist and a Library Journal best book of the year, a Smithsonian Magazine best travel book, and a New York Observer best art book. Her earlier books include The Seine, The Only Street in Paris, La Seduction, and Persian Mirrors, based on her years covering Iran since the 1979 revolution. Sciolino has been decorated chevalier of the Legion of Honor, the highest honor of the French state, for her “special contribution” to the friendship between France and the United States. She serves on the Executive Committee of Reporters Without Borders and on advisory councils for French and for Iranian studies at Princeton University. Born in Buffalo, New York, she holds a master’s degree in French history from New York University and several honorary doctorates. She has lived in Paris since 2002.

04.15.2026

A Force For Good by Anita Wyzanski Robboy

The biography of the heroic life of Gisela Warburg Wyzanski, a courageous young German Jewish woman who leveraged her wealth and family connections to save countless children from annihilation at the hands of the Nazis. This compelling story was told through a treasure trove of letters and documents carefully preserved by Gisela and recently discovered by her daughter, Anita Wyzanski Robboy, the book’s author. It outlined Gisela’s tireless efforts to rescue European children and place them in appropriate settings in their parentless journey to new lives in the land now known as Israel. Attendees traveled with Gisela through Germany, Palestine, England, and the United States, and met her mentors — some of the most powerful and influential Jewish leaders of this historically significant pre-WWII to post-WWII era. They learned about both the horrors of the Holocaust and the tremendous power of one determined and courageous person to make a difference in the world.

About the Speaker

Anita Wyzanski Robboy wears many hats. She is a partner in the Boston law firm, Prince Lobel & Tye, LLC, a Visiting Scholar/Research Associate at Brandeis University, and the author of Aftermarriage: the Myth of Divorce, and Lewis Hayden: From Fugitive Slave to Free Mason. Her articles have appeared in numerous legal publications. Formerly a Visiting Scholar at Cambridge University, Robboy is a graduate of Boston University, Tufts University, and Swarthmore College. She is the daughter of Gisela Warburg Wyzanski, the subject of A Force For Good, and Judge Charles E. Wyzanski.

03.31.2026

Biography of a Dangerous Idea: A New History of Race from Louis XIV to Thomas Jefferson by Andrew S. Curran

Over the course of the eighteenth century, Enlightenment natural historians and classifiers redefined what it meant to be human. By 1800, they had recast the very idea of humankind, sorting the world’s peoples into rigid biological categories for the first time in history. Prize-winning biographer Andrew S. Curran retraces this often-misunderstood story by plunging into the lives and ideas of the most influential individuals behind this reconceptualization, among them Louis XIV, Voltaire, David Hume, Immanuel Kant, and Thomas Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, Biography of a Dangerous Idea not only reveals the Enlightenment’s entanglement with empire and oppression—it offers a bold reassessment of the era’s most celebrated luminaries.

About the Speaker

Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. A scholar and biographer, his writing has appeared in the New York Review of Books, the New York Times, The Guardian, Newsweek, TIME, the Paris Review, and the Wall Street Journal. He is also the author or editor of five books. His most recent, edited with Henry Louis Gates, Jr., is Who’s Black and Why? His previous book was the prize-winning biography Diderot and the Art of Thinking Freely (Other Press, 2019).

Tina Montenegro is an Assistant Professor of French Literature at Boston College, specializing in Medieval Studies. Widely published in both medieval literature and art, her research explores the reception of classical rhetoric, intellectual history, and literary and art theory. She is currently finalizing her book manuscript, The Place of Rhetoric in the Middle Ages, which examines civic poetry of the late Middle Ages through the reception in France of Brunetto Latini’s thirteenth-century Tresor. Among other courses, she teaches “Fight Like the French”, in which she and her students explore the historical French passion for interrogation and debate.

03.26.2026

Tom Paine in Our Time: Common Sense at 250 with Joe Rezek

Thomas Paine’s Common Sense was published in Philadelphia on January 9, 1776, and immediately became the best-selling book in American history. Paine used plain language to blast King George III as “the Royal Brute of Britain” and helped convinced the embattled thirteen colonies to unite and declare Independence. 250 years later, our nation is experiencing a remarkable Paine revival. He is one of the stars of the “No Kings” protests, with a line from Common Sense written on signs and placards: “In America, THE LAW IS KING!”. The Boston Athenaeum holds in its rare books collection George Washington’s copy of Common Sense. He received the pamphlet while stationed in Cambridge, MA, as Commander in Chief of the Continental Army, with Boston was under British occupation. Washington credited Paine with convincing Americans that separation from Britain was the only appropriate response to the war that started on April 19, 1775. Inspired by Washington’s copy of Common Sense, and its arrival in Cambridge during the Siege of Boston, in this lecture Joe Rezek explored why it was so important in 1776 and why it still resonates so much today.

About the Speaker

Joseph Rezek is Associate Professor of English and Director of American Studies at Boston University. He is an internationally renowned scholar of early American literature, history, and print culture, and he recently published an essay about the 250th anniversary of Common Sense in The New York Times Book Review.

03.18.2026

Arts and Crafts Architecture across America by Maureen Meister

After the Arts and Crafts movement coalesced in Britain at the end of the nineteenth century, it made its way quickly to the United States. Architects and artisans embraced its values, advocating for handicraft in building design while promoting a respect for nature, simplicity, native materials, and regional culture. Taking the audience on a journey from coast to coast, Maureen Meister presented buildings that reflect Arts and Crafts ideals in distinctive ways and connected them to the movement’s major themes. Beautifully illustrated with 150 images, Arts and Crafts Architecture across America features buildings from Boston to San Diego, highlighting iconic examples by Ralph Adams Cram, Irving J. Gill, Greene and Greene, and Frank Lloyd Wright. The book also brings to the fore many lesser-known figures, including women architects such as Marion Mahony and Cora Cadwallader Tuttle and Black architects such as William A. Hazel and Paul R. Williams. In approachable prose, author Maureen Meister distills key elements of Arts and Crafts architecture, and her broad national perspective reveals new insights, including the close relationships among the movement’s leaders. Sharing an Arts and Crafts philosophy, they worked in multiple building styles to suit a vast yet united country.

About the Speaker

Maureen Meister has published extensively on the relationship between the Arts and Crafts movement and American architecture. She holds a doctorate from Brown University and has spent her career teaching art and architectural history at Boston area universities, including Lesley, Northeastern, and Tufts. She is a member of the Boston Athenaeum and was a regular visitor to 10½ Beacon Street when she was writing this new book.

This talk was presented in partnership with the Institute of Classical Architecture and Art.

03.11.2026

A Book Arts Revolution with Four Women Artists to Watch

Attendees joined us for an evening with the National Museum of Women in the Arts and met the Massachusetts area Women to Watch 2027. Women to Watch is a bi- or triennial exhibition program designed to increase the visibility of, and critical response to, promising women artists who are deserving of national and international attention. The Massachusetts Committee’s nominees have been curated by the Boston Athenaeum’s own John Buchtel, Curator of Rare Books and Head of Special Collections.

About the Speakers

Amy Borezo’s artists’ books exhibit the same structural ingenuity and sensitive selection of appropriate materials, wedding them to her often-abstract visual explorations of philosophical and literary questions around such topics as artificial intelligence or a failed Buckminster Fuller architectural project. For each of her books, Borezo adapts book structures and materials to underscore and embody the work’s central concept. She is also a highly sought-after edition hand bookbinder; bindings have contributed to the success of some of the best collaborative artists’ book projects of the past two decades.

Abigail Rorer’s intricate prints, drawings, and watercolors center on a delight in nature and natural forms. One of the most skilled living practitioners of the art of wood engraving, Rorer started out in the great tradition of book illustration. In recent years, Rorer has gone one step further, collaborating with leading specialists in other aspects of bookmaking to create artist’s books that integrate text and image with material and structure to compellingly convey not only her love of plants and animals, but also her concern over their ecosystems’ fragility.

Sarah Hulsey’s sophisticated body of work leverages the unique characteristics inherent in each artistic medium she uses—drawing, printmaking, and book structures—to explore the complex, multi-layered worlds of the scientific fields of linguistics and physics. Her work exhibits a mastery of the expressive and communicative potentialities of the hand-printed book as an artistic form: investigating ideas sequentially, engaging an audience with interactive immediacy, slowing a reader down and encouraging reflection.

Anneli Skaar’s work as a visual artist and graphic designer converge in both her own artist’s books and her contributions to other artists’ books. In addition to luminous paintings of landscapes and nature objects, paperflowers of astonishing variety and verisimilitude, and commercial graphic design, Skaar has produced three artist’s books of her own, each an engaging multi-part book object in which Skaar imaginatively combines text, image, materials, and form to create an artistic whole greater than the sum of its parts, addressing some of today’s most pressing environmental and social issues in ways that draw readers in, captivate them, and encourage reflection.

03.09.2026

Still Marching 1970 – 2017 with Liane Brandon

Groundbreaking filmmaker, photographer, and Professor Emerita Liane Brandon presented Still Marching 1970-2017; which featured her historic photographs documenting two landmark Boston women’s marches held nearly 50 years apart. Through her images and personal recollections, Brandon offered a unique perspective on both events – as participant and observer – while reflecting on the early days of the Women’s Movement. On March 8, 1970, Brandon, then a member of Bread and Roses of Cambridge – one of the nation’s earliest women’s liberation organizations – photographed the International Women’s Day march. It was the largest demonstration for women’s equality in Massachusetts since the Boston Suffrage March of 1914. Her photographs are believed to be the only existing color images of that historic event. Nearly five decades later, on January 21, 2017, Brandon returned with her camera to document the Women’s March for America. An estimated 175,000 people gathered on Boston Common the day after Donald Trump’s inauguration, joining similar marches in more than 600 cities nationwide where nearly six million Americans demonstrated for women’s rights, healthcare reform, reproductive rights, LGBTQ rights, and racial equality. Brandon’s photographs capture the events and issues that still resonate in women’s ongoing fight for equality – and revealing the enduring spirit, energy, and determination of those who continue to march.

About the Speaker

Liane Brandon is an award winning independent filmmaker, photographer and University of Massachusetts/Amherst Professor Emerita. She was one of the first independent women filmmakers to emerge from the Women’s Movement. She is a co-founder of New Day Films and was a member of Bread and Roses, one of the earliest “women’s liberation” collectives in Massachusetts. Her groundbreaking films Sometimes I Wonder Who I Am (1970), Anything You Want To Be (1971), and Betty Tells Her Story (1972), were among the most frequently used consciousness raising tools of the Women’s Movement. Her films, which also include Once Upon A Choice (1980) and How To Prevent A Nuclear War (1987), have won numerous national and international awards, and have been featured on HBOCinemax and the Criterion Channel. They have twice received Blue Ribbons at the American Film Festival, and have been presented at the Museum of Modern Art, the Barbican Centre in London, the Tribeca Film Festival and many other venues worldwide. Her film Betty Tells Her Story was inducted into the National Film Registry in 2022. Currently working as a photographer, her credits include stills for the PBS series American ExperienceNova, and American Masters. Her photos have been published in The New York Times, the Los Angeles Times, the Boston Globe and many other publications. Actively involved with the rights of media artists, her lawsuit (Brandon v. The Regents of the University of California) won a landmark victory for filmmakers’; protection of their titles. Brandon’s historic films and papers are held in the Archive of Documentary Arts at Duke University. Her films are in active distribution through New Day Films. Before becoming a filmmaker and professor, Brandon worked as a ski instructor, lifeguard, waitress, high school teacher and professional stunt woman.

03.06.2026

Interview with Storyteller & Artist Vita Murrow

Athenaeum Member Author Vita Murrow

February 2026

The Athenaeum is pleased to spotlight storyteller and artist Vita Murrow. Her work has been shaped by
a life of diverse cultural experiences, disciplines, and creative communities. Born in India and raised in
Minneapolis, she carries a deep sense of belonging to both places—an influence that shines through in
her writing. With a background spanning visual art, education, film, and children’s media, Murrow
approaches writing as an act of truth-telling, risk-taking, and exploring storytelling traditions from across
the globe. Her new book, The Little Book of Love, is a representation of this work and of Murrow
herself—showcasing the joy of love across languages and cultures.

Q: When and where were you born and raised?

I was born in Maharashtra, India and raised in Minneapolis, Minnesota. Both places are a warm hug of
belonging for me. Whether it’s my stovetop chai ritual and playlists of south Asian creatives and artists.
Or my love of winter and hidden Minnesota accent. (Want a “Pop” with that “hot dish?”).

Q: Tell me about your educational background?

I’ve long been a student of the arts. I grew up playing the harp, studying classical Indian Dance (Kathak)
and performing in community theater. After graduating from an Arts High School, I took a gap-year to
complete a term of national service. It was then that I discovered a love for schools and teaching
literacy. In the years that followed I nurtured two paths as a scholar. One as a studio artist earning a BFA
in Art school in Seattle. And another, as an educator receiving a master’s in teaching and literacy in NYC.

Q: What sort of work experience do you have? Did that experience influence your writing?

Having two paths as a student meant two paths as a professional. I’ve had the pleasure of serving as a
literacy clinician and directing school partnerships here in greater Boston. I co-wrote and created a short
Film (‘Dust’ Official selection in the 2008 NYFF), worked in the films department at Sesame Street and
trained as a stop motion animator. In all these settings I’ve had the opportunity to be a consumer of
media for children, and a creator. It’s connected me to the tradition and culture of storytelling in rich and varied ways. All of it influences me as a writer. I’m committed to telling the truth in my work and
that means understanding where I have come from. Interrogating the norms I hold presently. And
pushing myself to ask new questions and take risks. Writing is a lot like directing, which is a lot like
teaching, which is a lot of collaboration, which is the heart of my creative process. It’s all connected for
me.

Q: What is your favorite stop-motion film?

My favorite piece of classic stop motion film has to be one of my earliest experiences with the medium:
“A version of The Wind in the Willows from the 80’s.” A contemporary stop-motion piece that I continue to be inspired by is Passengers by Argentinian filmmaker Juan Pablo Zaramella, made from the aluminum material that covers wine bottles, pretty incredible work! I am of course deeply influenced by the work of Aardman Animations Studio in the UK where I studied. Creators of Wallace and Gromit, Shaun the Sheep and Creature Comforts to name a few of their iconic collections. Certainly the work of Portland’s Laika Studio: films like Coraline, Missing Link. Skellington Studio’s “The Nightmare Before Christmas,” and Shadow Machine’s Oscar winning Pinocchio.

Q: How did you find the Athenaeum?

When we moved here from NYC my mother-in-law was a member, and she would take our kids here
when they were little. Then a few years ago I had the delight of accepting a Massachusetts book award
honor at the State House. After the ceremony, some writer friends and I popped across to explore the
Athenaeum. I was applying for a grant at the time, and thought ‘If I get it, I’ll put some of it towards a membership’. In the end I didn’t get the grant but thought instead; “forget that I’m going to be a
member any way!”

Q: What appeals to you about the Athenaeum? 

I love being in downtown Boston. I had an office nearby for years, our kids went to school in Beacon
Hill, I feel continually inspired by the skyline, the parks, the people and the history. I am eager to support
cultural institutions in the area. To be a member of the Athenaeum is a way for me to honor the value of
scholarship, the work of writers, and invest in my community.

Q: What is your favorite spot in the building?

I love working on the quiet fifth-floor and having the sunset beside me in the winter. Or sitting on
terraces for lunch in warmer seasons. But my favorite spot must be the seating on the second floor
beside the statue of Nathaniel Bowditch because… his name marks my street! I live near where his son,
Jonathan Ingersoll Bowditch, had his home in Boston. I like to think that the Bowditch legacy of
exploration lingers in my own home. What were the great struggles of working on The Little Book of Love? The great joys?

The hardest part of working on the Little Book of Love was knowing we couldn’t represent all 7,000+
languages that mean so much, to so many, all over the world. The great joy of writing the book was
delving into the many words and the ways we are vulnerable with our feelings. Writing about love is
joyful! We should all be so lucky. An added joy was working with Illustrator Annelies Draws. I relished
sharing notes and mood boards with her and am so grateful for her incredible contributions as an artist
and visual storyteller.

Q: Do you have any projects on the horizon that you’re able to talk about here?

I am currently working on a graphic novel, together with my husband, Artist Ethan Murrow. As well as a
highly illustrated series with my publishing partners in the UK. Readers can also look forward to another
title centering kid empowerment. I also have a short film in development as a writer director.

03.04.2026

Starry and Restless: Three Women Who Changed Work, Writing, and the World by Julia Cooke

She hid on a Red Cross boat to reach Omaha Beach on D-Day. She walked the abandoned streets of Hong Kong to take food to her daughter’s father, a prisoner of war. She fought off the advances of overzealous Yugoslavian diplomats, found overlooked details of world history in a dentist’s kitchen in Sarajevo. She traveled alone to Mexico. She traveled alone to Congo. She traveled alone to the American South. She married Hemingway. She married a Chinese poet-playboy-publisher, then married a British war hero. She fell in love with H. G. Wells. She gave birth and raised a child on her own. She landed on the front page of the newspaper. She wrote for the great magazines of her time—Vogue, The New Yorker, Harper’s Bazaar. She wrote a play. She wrote a memoir. She wrote a genre-breaking travel narrative. She wrote bestsellers. She wrote and wrote and wrote. She changed the very way we think about writing and the way journalists craft stories—which sources are viable, which details are important—and the way women move and work in the world. She was Martha Gellhorn. She was Emily “Mickey” Hahn. She was Rebecca West. Each woman was starry-eyed for success, for adventure, and helped ensure that other starry and restless women could make unforgettable lives for themselves. They fought for their lives and their work. They were praised and criticized for it all. In language as lively and nimble, in passages as intimate and adventurous, and with conviction as fierce and indefatigable as her subjects’ own, Julia Cooke’s Starry and Restless plays out the stories of three women across three decades and five continents. Martha, Mickey, Rebecca—journalists, authors, mothers, lovers, friends. These women didn’t just bear witness to the great changes of the twentieth century; their curiosity, grit, ambition, and stories changed the world.

About the Speakers

Julia Cooke is the author of the books Come Fly the World, a Goodreads Choice Awards finalist and a Malala’s Book Club pick, and The Other Side of Paradise. Her essays have been published in A Public Space, Salon, The Threepenny Review, Smithsonian, Tin House, and Virginia Quarterly Review, and her reporting has been published in Condé Nast Traveler, The New York Times, Playboy, and more. She holds an MFA from Columbia University.

Nina MacLaughlin is the award-winning author of Wake, Siren (FSG), a finalist for a Lambda Literary Award and the Massachusetts Book Award; the acclaimed memoir Hammer Head (W.W. Norton), a finalist for the New England Book Award; as well as Summer Solstice and the bestselling Winter Solstice (Black Sparrow), winner of the Massachusetts Book Award. She writes a newsletter on New England literary news, and her work has appeared in The Virginia Quarterly Review, n+1, AGNI, The Believer, The Paris Review Daily, The New York Times Book Review, American Short Fiction, the Los Angeles Review of Books, Meatpaper, and elsewhere. She lives in Cambridge, Massachusetts.