06.01.2026
Harder Endowed Lecture: This Earthen Door with Amanda Marchand & Leah Sobsey
The 2026 Torrence C. Harder Endowed Lecture, This Earthen Door is a photographic re-working of American poet Emily Dickinson’s herbarium, a forgotten book of pressed plants that lives at the intersection of science, poetry, and art. In a gesture honoring the poet’s nearly 200-year-old effort – Amanda Marchand & Leah Sobsey grew and harvested plants to remake her plant-sampler book with an alternative photographic process known as anthotype.
Anthotypes (from the Greek meaning flower) are plant-based photographs, an innovation dating back to when Dickinson was at work on her herbarium. Anthotypes are made by applying a plant’s colorful juices to the surface of paper, a method akin to salt prints or cyanotype, then exposing the paper to the sun– with a photographic negative on top. The sun’s rays have both a chemical and bleaching effect, leaving a shadow imprint on paper, a camera-less sun-print.
Dickinson was better known as a gardener than a poet during her lifetime. Over one-third of her poems and half her letters reference flowers and plants with idiosyncratic symbolism, illuminating her deep connection to the natural world. A student of botany at school and in the meadows, Dickinson started her herbarium when she was 14 years old.
This Earthen Door forges a necessary conversation between literature, art, and ecology. What can we learn about plant loss, ethnobotany, and climate shifts from this nearly 200-year-old archive? How can this original work entice us to engage, as Dickinson once did, through slow, deliberate attention to the natural world? Amanda Marchand & Leah Sobsey partnered with two scientists/scholars, Dr. Kyra Krakos and Peter Grima to delve into plant stories behind this fascinating archive. This ecofeminist collaboration revives exciting possibilities of working with non-toxic, sustainable photography. A mix of old and new, it borrows both analog and digital photographic tools, working with the digitized herbarium at Harvard’s Houghton Library. This Earthen Door touches on the themes of eco-feminism, alternative photography, the archive, art/botany/gardens–and their relevance in the Anthropocene, all through Emily Dickinson’s ecological lens. Like Dickinson who saw flowers as “friends,” Amanda Marchand & Leah Sobsey invite people to see plants anew and from a place of wonder.
About the Speaker
Amanda Marchand is a Canadian-New York-based photographer and educator. Recent honors include a Hunt Institute Fellowship for Creative Practice at Carnegie Mellon University, Photolucida’s Critical Mass Top 50 (2025), the 2023 Julia Margaret Cameron Photography Awards; The 2022 Silver List; Medium Photo Festival’s Second Sight Award Winner, 2021. She is a Hermitage Artist Retreat, MacDowell Colony, and Headlands Center for the Arts Fellow. Marchand’s has published “Nothing Will Ever be the Same Again” (2019), “Night Garden” (2015), and “This Earthen Door” (2024) with Datz Press. Her artist books include “The World is Astonishing with You in it: A 21st Century Field Guide to the Birds, Ferns and Wildflowers” (2022). Marchand has exhibited internationally and has work in the collection of: The Getty Research Institute, Stanford University Library, the MUHC Glen Hospital (Montreal), San Jose Museum of Art, the Center for Creative Photography, Datz Museum of Art, the Cleveland Museum of Art. Marchand is represented by Traywick Contemporary, Rick Wester Fine Art, and Galerie XII.
Leah Sobsey is an award-winning artist, including a Hunt Institute Fellowship for Creative Practice at Carnegie Mellon University, and Associate Professor of Photography at the University of North Carolina, Greensboro. Her solo exhibition Rooted In Light was recently shown at North Carolina State University in the Plant Science Initiative – where she was the inaugural artist in residence, Fall 2025. Recent exhibitions include the Huntington Museum, CA; the Gregg Museum, D’Ark Room, Korea, The Cummer Museum, The Harvard Museum of Natural History, Candela Gallery, VA. Her monographs include Collections: Birds Bones and Butterflies, 2016, Bull City Summer, 2013, This Earthen Door, 2024. Sobsey has exhibited internationally, and her photographs and books are held in private and public collections across the US, including the Brandywine Museum of Art, the Huntington Library, The Getty Research Institute, The Hunt Botanical Library, Harvard University’s Houghton Library, North Carolina Museum of Art, Credit Suisse, Duke University Hospital, Fidelity Investments. She has participated in numerous artist residencies both internationally and nationally. Her work has been published in the NewYorkerdotcom, the Paris Review Daily, Slatedotcom, The Telegraph, Hyperallergicdotcom, Audubon, and Lensculture. Sobsey is represented by Rick Wester Fine Art and and Galerie XII.
This event is supported by the Torrence C. Harder Endowed Lecture Series.