04.22.2026

The Gap Years: Climbing, Skiing, and the Journey Back by Tom French

At the end of 2019, Tom French retired from a four-decade career in business, determined to return to interests that had defined his youth and see what meaning they still held. One of these interests was mountaineering. Another was adventure travel, with a particular focus on Nepal. A third was cross-country ski racing. Having taken “gap years” between school and university, and again before he started work, he decided to take a gap year before settling into the expectations of retirement. One year turned into three as he rebuilt his athletic strength, competed in cross-country ski marathons, and climbed some of the world’s highest mountains, including two expeditions to Mount Everest. On the first Everest climb, a cyclone forced him to turn around high on the mountain and descend the treacherous Lhotse Face in a blizzard. On the second, he approached the mountain through the remote Makalu Barun region, the first climber ever to do so, and climbed to the summit on a moonlit night. But this is a book about much more than Everest. It is about beauty and joy found in wild places, about cross-country ski racing and mountaineering more broadly, and—most of all—about a journey to find meaning in life and reconnect with the passions of youth. Tom described the narrative arc of his book through a presentation featuring stunning images from mountaineering and ski expeditions worldwide, including the Himalayas, Andes, and North America

About the Speaker

Tom French is a lifelong mountaineer, cross-country skier, and lover of the outdoors. A senior partner emeritus of McKinsey & Company, he is currently board chair of the Trustees of Reservations, a director of Corning Incorporated, and serves on several other nonprofit boards. He lives in Massachusetts, with his wife, Jill.

04.21.2026

Adventures in the Louvre by Elaine Sciolino

Adventures In The Louvre has captivated readers with its intimate, revelatory journey into the world’s most famous museum. For this special event, Elaine Sciolino presented the newly updated edition of her book, released in the wake of the dramatic Louvre heist that shocked France and made headlines around the world. With fresh perspectives from her recent reporting for The New York Times and other publications, she offered fresh insight into what the theft reveals about the museum’s history, vulnerabilities, and enduring power. With the curiosity of a journalist, the eye of a storyteller, and the warmth of a seasoned Parisian flâneuse, Sciolino introduced attendees to the artworks she loves most both celebrated and overlooked—and to the people who keep the Louvre alive: curators, restorers, guards, firefighters, artisans, and archivists. opens doors normally closed to the public, guiding readers through the museum’s galleries, rooftops, archives, ateliers, and hidden corners. Part investigative reporting, part travelogue, part cultural history, this presentation illuminated the Louvre as a living, breathing organism magnificent, labyrinthine, and endlessly human. This expanded edition of the book includes a new chapter with updates about the museum, including an ambitious billion-dollar proposal to renovate the Louvre with a new underground entrance and special galleries for the Mona Lisa as well as the brazen 2025 theft of crown jewels from the Apollo Gallery.

About the Speaker

Elaine Sciolino is a contributing writer and former Paris bureau chief for The New York Times. She is a best-selling author of six books, including, most recently, Adventures in the Louvre, named an Economist and a Library Journal best book of the year, a Smithsonian Magazine best travel book, and a New York Observer best art book. Her earlier books include The Seine, The Only Street in Paris, La Seduction, and Persian Mirrors, based on her years covering Iran since the 1979 revolution. Sciolino has been decorated chevalier of the Legion of Honor, the highest honor of the French state, for her “special contribution” to the friendship between France and the United States. She serves on the Executive Committee of Reporters Without Borders and on advisory councils for French and for Iranian studies at Princeton University. Born in Buffalo, New York, she holds a master’s degree in French history from New York University and several honorary doctorates. She has lived in Paris since 2002.

04.15.2026

A Force For Good by Anita Wyzanski Robboy

The biography of the heroic life of Gisela Warburg Wyzanski, a courageous young German Jewish woman who leveraged her wealth and family connections to save countless children from annihilation at the hands of the Nazis. This compelling story was told through a treasure trove of letters and documents carefully preserved by Gisela and recently discovered by her daughter, Anita Wyzanski Robboy, the book’s author. It outlined Gisela’s tireless efforts to rescue European children and place them in appropriate settings in their parentless journey to new lives in the land now known as Israel. Attendees traveled with Gisela through Germany, Palestine, England, and the United States, and met her mentors — some of the most powerful and influential Jewish leaders of this historically significant pre-WWII to post-WWII era. They learned about both the horrors of the Holocaust and the tremendous power of one determined and courageous person to make a difference in the world.

About the Speaker

Anita Wyzanski Robboy wears many hats. She is a partner in the Boston law firm, Prince Lobel & Tye, LLC, a Visiting Scholar/Research Associate at Brandeis University, and the author of Aftermarriage: the Myth of Divorce, and Lewis Hayden: From Fugitive Slave to Free Mason. Her articles have appeared in numerous legal publications. Formerly a Visiting Scholar at Cambridge University, Robboy is a graduate of Boston University, Tufts University, and Swarthmore College. She is the daughter of Gisela Warburg Wyzanski, the subject of A Force For Good, and Judge Charles E. Wyzanski.

03.31.2026

Biography of a Dangerous Idea: A New History of Race from Louis XIV to Thomas Jefferson by Andrew S. Curran

Over the course of the eighteenth century, Enlightenment natural historians and classifiers redefined what it meant to be human. By 1800, they had recast the very idea of humankind, sorting the world’s peoples into rigid biological categories for the first time in history. Prize-winning biographer Andrew S. Curran retraces this often-misunderstood story by plunging into the lives and ideas of the most influential individuals behind this reconceptualization, among them Louis XIV, Voltaire, David Hume, Immanuel Kant, and Thomas Jefferson. Moving from the gilded halls of Versailles to the slave plantations of the Caribbean, from the court of the Mughal Empire to the drawing rooms of Monticello, Biography of a Dangerous Idea not only reveals the Enlightenment’s entanglement with empire and oppression—it offers a bold reassessment of the era’s most celebrated luminaries.

About the Speaker

Andrew S. Curran is the William Armstrong Professor of the Humanities at Wesleyan University. A scholar and biographer, his writing has appeared in the New York Review of Books, the New York Times, The Guardian, Newsweek, TIME, the Paris Review, and the Wall Street Journal. He is also the author or editor of five books. His most recent, edited with Henry Louis Gates, Jr., is Who’s Black and Why? His previous book was the prize-winning biography Diderot and the Art of Thinking Freely (Other Press, 2019).

Tina Montenegro is an Assistant Professor of French Literature at Boston College, specializing in Medieval Studies. Widely published in both medieval literature and art, her research explores the reception of classical rhetoric, intellectual history, and literary and art theory. She is currently finalizing her book manuscript, The Place of Rhetoric in the Middle Ages, which examines civic poetry of the late Middle Ages through the reception in France of Brunetto Latini’s thirteenth-century Tresor. Among other courses, she teaches “Fight Like the French”, in which she and her students explore the historical French passion for interrogation and debate.

03.18.2026

Arts and Crafts Architecture across America by Maureen Meister

After the Arts and Crafts movement coalesced in Britain at the end of the nineteenth century, it made its way quickly to the United States. Architects and artisans embraced its values, advocating for handicraft in building design while promoting a respect for nature, simplicity, native materials, and regional culture. Taking the audience on a journey from coast to coast, Maureen Meister presented buildings that reflect Arts and Crafts ideals in distinctive ways and connected them to the movement’s major themes. Beautifully illustrated with 150 images, Arts and Crafts Architecture across America features buildings from Boston to San Diego, highlighting iconic examples by Ralph Adams Cram, Irving J. Gill, Greene and Greene, and Frank Lloyd Wright. The book also brings to the fore many lesser-known figures, including women architects such as Marion Mahony and Cora Cadwallader Tuttle and Black architects such as William A. Hazel and Paul R. Williams. In approachable prose, author Maureen Meister distills key elements of Arts and Crafts architecture, and her broad national perspective reveals new insights, including the close relationships among the movement’s leaders. Sharing an Arts and Crafts philosophy, they worked in multiple building styles to suit a vast yet united country.

About the Speaker

Maureen Meister has published extensively on the relationship between the Arts and Crafts movement and American architecture. She holds a doctorate from Brown University and has spent her career teaching art and architectural history at Boston area universities, including Lesley, Northeastern, and Tufts. She is a member of the Boston Athenaeum and was a regular visitor to 10½ Beacon Street when she was writing this new book.

This talk was presented in partnership with the Institute of Classical Architecture and Art.

03.04.2026

Starry and Restless: Three Women Who Changed Work, Writing, and the World by Julia Cooke

She hid on a Red Cross boat to reach Omaha Beach on D-Day. She walked the abandoned streets of Hong Kong to take food to her daughter’s father, a prisoner of war. She fought off the advances of overzealous Yugoslavian diplomats, found overlooked details of world history in a dentist’s kitchen in Sarajevo. She traveled alone to Mexico. She traveled alone to Congo. She traveled alone to the American South. She married Hemingway. She married a Chinese poet-playboy-publisher, then married a British war hero. She fell in love with H. G. Wells. She gave birth and raised a child on her own. She landed on the front page of the newspaper. She wrote for the great magazines of her time—Vogue, The New Yorker, Harper’s Bazaar. She wrote a play. She wrote a memoir. She wrote a genre-breaking travel narrative. She wrote bestsellers. She wrote and wrote and wrote. She changed the very way we think about writing and the way journalists craft stories—which sources are viable, which details are important—and the way women move and work in the world. She was Martha Gellhorn. She was Emily “Mickey” Hahn. She was Rebecca West. Each woman was starry-eyed for success, for adventure, and helped ensure that other starry and restless women could make unforgettable lives for themselves. They fought for their lives and their work. They were praised and criticized for it all. In language as lively and nimble, in passages as intimate and adventurous, and with conviction as fierce and indefatigable as her subjects’ own, Julia Cooke’s Starry and Restless plays out the stories of three women across three decades and five continents. Martha, Mickey, Rebecca—journalists, authors, mothers, lovers, friends. These women didn’t just bear witness to the great changes of the twentieth century; their curiosity, grit, ambition, and stories changed the world.

About the Speakers

Julia Cooke is the author of the books Come Fly the World, a Goodreads Choice Awards finalist and a Malala’s Book Club pick, and The Other Side of Paradise. Her essays have been published in A Public Space, Salon, The Threepenny Review, Smithsonian, Tin House, and Virginia Quarterly Review, and her reporting has been published in Condé Nast Traveler, The New York Times, Playboy, and more. She holds an MFA from Columbia University.

Nina MacLaughlin is the award-winning author of Wake, Siren (FSG), a finalist for a Lambda Literary Award and the Massachusetts Book Award; the acclaimed memoir Hammer Head (W.W. Norton), a finalist for the New England Book Award; as well as Summer Solstice and the bestselling Winter Solstice (Black Sparrow), winner of the Massachusetts Book Award. She writes a newsletter on New England literary news, and her work has appeared in The Virginia Quarterly Review, n+1, AGNI, The Believer, The Paris Review Daily, The New York Times Book Review, American Short Fiction, the Los Angeles Review of Books, Meatpaper, and elsewhere. She lives in Cambridge, Massachusetts.

02.17.2026

The Reconstruction Diary of Frances Anne Rollin by Jennifer Putzi

In 1867, Frances Anne Rollin, a Black writer and teacher from South Carolina, traveled to Boston to seek a publisher for her biography of famed Black abolitionist, writer, and Civil War veteran Martin R. Delany. Beginning in January 1868, Rollin kept a diary while in Boston documenting her progression on Delany’s biography, negotiations with publishers, visits from friends, attendance at lectures and readings, and her marriage to William J. Whipper, a Black politician and jurist. Rollin’s diary is one of the earliest known diaries by a Southern Black woman. In this critical edition Jennifer Putzi offers the first complete transcription and annotation of Rollin’s diary, along with a robust introduction providing important biographical, historical, cultural, and literary contexts for readers. Rollin’s diary provides one of the fullest pictures of an African American woman as an author, activist, and well-connected and politically involved individual during the Reconstruction era—filling a gap in the literature and scholarly analysis of such preserved works by nineteenth-century African American women.

About the Speaker

Jennifer Putzi is a Professor of English and Gender, Sexuality, & Women’s Studies at William & Mary. Her research and teaching are broadly focused on nineteenth-century American women’s writing. She is the author or editor of seven books, including most recently The Reconstruction Diary of Frances Anne Rollin: A Critical Edition (2025) and Fair Copy: Gender, Relational Poetics, and Antebellum American Women’s Poetry (2021). Her current research is on nineteenth-century African American women’s diaries and the relationship between material format and content in Black women’s everyday writing. Professor Putzi’s book-in-progress, titled Making Space: Geography and Material Form in African American Women’s Diaries, considers the way nineteenth-century Black women diarists use their diaries to negotiate, claim, and map geographical space as gardeners, travelers, city dwellers, and invalids. Along with Professor Kirsten Lee of Auburn University, Putzi is also Project Co-Director of the Black Women’s Diaries Project, a digital humanities project that scans, transcribes, annotates, and encodes manuscript diaries written by African American women between 1854 and 1905. The BWDP site will launch in the fall of 2026, with the 1902 diary of Norfolk resident Florence Barber.

02.11.2026

Workhorse by Caroline Palmer

At the turn of the millennium, Editorial Assistant Clodagh “Clo” Harmon wants nothing more than to rise through the ranks at the world’s most prestigious fashion magazine. There’s just one problem: she doesn’t have the right pedigree. Instead, Clo is a “workhorse” surrounded by beautiful, wealthy, impossibly well-connected “show horses” who get ahead without effort, including her beguiling cubicle-mate, Davis Lawrence, the daughter of a beloved but fading Broadway actress. Harry Wood, Davis’s boarding school classmate and a reporter with visions of his own media empire, might be Clo’s ally in gaming the system—or he might be the only thing standing between Clo and her rightful place at the top. In a career punctuated by moments of high absurdity, sudden windfalls, and devastating reversals of fortune, Clo wades across boundaries, taking ever greater and more dangerous risks to become the important person she wants to be within the confines of a world where female ambition remains cloaked. But who really is Clo underneath all the borrowed designer clothes and studied manners—and who are we if we share her desires? Hilariously observant and insightful, Workhorse is a brilliant page-turner about what it means to be in thrall to wealth, beauty, and influence, and the outrageous sacrifices women must make for the sake of success.

About the Speakers

From 2014 to 2019, Caroline Palmer was the director of editorial, video, and social media at Amazon Fashion. Prior to her tenure at Amazon, she spent seven years as the editor of Vogue. Her work has appeared in various publications, including The New York Times, Life, Seventeen magazine, and Vogue. She lives in Montclair, New Jersey, with her husband and three children. Workhorse is her first novel.

Todd Plummer is a Boston-based writer and attorney. He started his career with an internship at Vogue under Caroline Palmer in 2010, and went on to work as a society reporter in New York City for five years, and a travel writer across seven continents for ten.

02.02.2026

The Rembrandt Heist: The Story of a Criminal Genius, a Stolen Masterpiece, and an Enigmatic by Anthony Amore

On April 14, 1975, Myles Connor, already a known art thief, entered the Boston Museum of Fine Arts in disguise along with a cohort. The pair went directly the Dutch Gallery and proceeded to remove Portrait of Elsbeth van Rijn from its place on the wall. After a brief scuffle with the guards—with Myles deterring his partner from shooting a bystander—the pair was gone, leaving behind no traceable evidence amidst the mayhem. Who was Myles Connor and what were his motivations? Most thieves are in it for the money, but Myles was far from most thieves. His motive was freedom. The summer before the heist, he was arrested by the FBI when he attempted to sell three highly valuable paintings by Andrew and N.C. Wyeth to an undercover agent. Incredibly, Myles did this while out on bail for possession of yet more stolen art. When he was arrested and placed in the back seat of a state police vehicle, the FBI agent said to him, “We’ve got you now. Let’s see you get out of this one.” Without batting an eye, Connor calmly replied, “Just you watch me.” Again released on bail, Connor met with an old friend of his father’s, Massachusetts State Police Major John Regan. Regan worked for the District Attorney at the time, future Congressman William Delahunt. Connor asked Regan if there was any way out of the fix he was in, and the straightlaced cop told him bluntly, “It’s going to take a Rembrandt to get you out of this one.” With that, a master plan was hatched. But there was a flip side to this story. One involving Connor’s best friend—Al Dotoli—who lived a life in the music industry, far from the world of art heists. Dotoli’s own masterpiece of a plan hinged on the Rembrandt’s return. Filled with unforgettable personalities and non-stop action and intrigue, Anthony Amore layed out the anatomy of this notorious art theft while describing not just the criminal genius that is Myles Connor, but also the complexity of personal relationships between lifelong friends. Our audience learned about a breathtaking painting by the world’s most famous artist and the incredible true story about how Portrait of Elsbeth van Rijn ended up on the wall at the MFA in the first place.

About the Speaker
Anthony Amore is a leading expert in security, investigations, and art crime. He has held senior roles with the U.S. Department of Homeland Security and served as Director of Security and Chief Investigator at the Isabella Stewart Gardner Museum, where he continues to investigate the infamous 1990 heist of 13 famous masterpieces. A bestselling author, Amore has written four acclaimed books on art crime. His latest, The Rembrandt Heist, was recently named one of the ten best history books of 2025 by Smithsonian Magazine. He teaches at Harvard University and is a licensed private investigator and a consultant to museums, law firms, and high-net-worth clients.

01.28.2026

The Innocents of Florence: The Renaissance Discovery of Childhood by Joseph Luzzi

Reflecting in a touching preface on the major caregivers in his own life, Joseph Luzzi narrated the fascinating history of this revolutionary orphanage, offering readers the first comprehensive “biography” of a groundbreaking humanitarian institution that recognized poor and abandoned children as worthy of nurture—and thereby shaped education and childcare for generations to come. The story began with the abandonment of the newborn Agata Smeralda on February 5, 1445, in Florence’s Hospital of the Innocents, the first—but certainly not the last—child to be left at its doors. In an era when children were frequently abandoned, often trafficked or left to die on the streets, an orphanage devoted to their care and protection was a striking innovation. The Innocenti, as it has come to be called—the first orphanage in Europe devoted exclusively to unwanted children—would go on to care for nearly 400,000 young lives over the next five centuries. Built by the Silk Weavers Guild at a time when the wealthy were expected to contribute to civic life, the Innocenti featured glorious arches designed by Filippo Brunelleschi and housed works by some of the greatest artists of the Renaissance, from the painter Domenico Ghirlandaio to the sculptor Luca della Robbia. Meanwhile, the new orphanage also redefined the idea of “childhood” itself, particularly in education, as boys were often taught not just Latin and basic numeracy, but also a well-rounded curriculum that included art, literature, and music. Girls learned viable trades such as weaving and silk manufacturing, and the Innocenti assisted them in securing suitable marriages to protect them from poverty or a life of prostitution. Over the centuries, the orphanage oversaw groundbreaking scientific discoveries—it was a birthplace of modern pediatrics—while struggling against rampant disease, constant financial crises, and the dramatic ups and downs of Florentine politics in the Medici era.

About the Speaker
Joseph Luzzi (PhD Yale) is the Asher B. Edelman Professor of Literature at Bard College, where he also teaches courses on film and Italian Studies. He is the author of nine books, including his recent Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance (Norton, 2022), a New Yorker Best Books of 2022 selection and shortlisted for the Phi Beta Kappa Ralph Waldo Emerson Award. His other books include Romantic Europe and the Ghost of Italy (Yale University Press, 2008), which received the MLA’s Scaglione Prize for Italian Studies; A Cinema of Poetry: Aesthetics of the Italian Art Film (Johns Hopkins University Press, 2014), a finalist for the international prize “The Bridge Book” Award; My Two Italies (Farrar, Straus and Giroux, 2014), a New York Times Book Review Editors’ Choice; and In a Dark Wood: What Dante Taught Me About Grief, Healing, and the Mysteries of Love (HarperCollins, 2015), which has been translated into multiple languages. Joseph’s essays and reviews have appeared in the New York Times, Los Angeles Times, Chronicle of Higher Education, TLS, Bookforum, and American Scholar, among others, and his scholarly writing has appeared in PMLA, Modern Language Notes, Modern Language Quarterly, Raritan, Italica, and Studies on Voltaire and the Eighteenth Century. His media appearances include a profile in the Guardian and an interview with National Public Radio. Among his honors are a Dante Society of America essay prize, Yale College teaching prize, a National Endowment for the Humanities Public Scholars Award, and fellowships from the National Humanities Center and Yale’s Whitney Humanities Center. The first American-born child in his Italian immigrant family, Luzzi was named Cittadino Onorario / Honorary Citizen of Acri, Calabria, in 2017.