Theodore E. Stebbins Jr. presented a sweeping history of changing critical standards and values in American art across 200 years. Art lovers, perplexed why their favorite artists are no longer on the walls of their local museums, will find an incisive view of why change is constant. All art lovers will find a cautionary lesson about the unpredictable future.

Each generation of experts believes their own taste is the last word, confident in their opinions about the art that was the best of their time.

As Stebbins writes, “People are inclined to view past changes in taste as unique misjudgments that will not happen again… How unthinking, how stupid, they think, not realizing that the pattern has been repeated again and again in the past and will be in the future. We now recognize that the process is a continual one. Each past canon was established for good reason; there are no mistakes, there is only history. Many of the favored artists of any period including our own will drop from favor, something that art dealers never tell their clients, or museum curators their boards.”

Theodore E. Stebbins, Jr. was in the center of every development in American art collecting and exhibitions from 1960 well into the 2000s. He is uniquely able to put recent shifts in the canon within the context of a regular, generational shift in taste that tells us much about the value that is placed on art — including who decides what matters and what does not.

Profusely illustrated, fascinating, controversial, deeply informed, Rethinking American Art: Collectors, Critics, and the Changing Canon (David R. Godine, 2025) is for anyone who wants a greater understanding of the forces that shape the world of art.

About the Speaker

Theodore E. Stebbins Jr. is one of the most admired scholars of American art. He is the author of nearly a hundred publications ranging from studies of John Singleton Copley, Washington Allston, and John James Audubon to those devoted to Martin Johnson Heade, Winslow Homer and many aspects of contemporary art and photography. He has served as curator of American art at Yale University, Harvard, and the Museum of Fine Arts, and has taught at those universities and at Boston University. His new book, Rethinking American Art, draws on his lifetime of experiences in the art world, as he describes the way artistic standards are constantly changing, and how scholarly trends mirror the art market. His book also sheds new light on many outstanding collectors, including Maxim Karolik and Alice Walton.